By René Girard
His interesting and impressive publication offers a completely constructed idea of violence because the 'heart and mystery soul' of the sacred. Girard's fertile, combative brain hyperlinks fable to prophetic writing, primitive religions to classical tragedy.
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Extra info for Violence and the Sacred
But regardless of how valid or even valuable this historic speculation should be, it doesn't particularly serve to provide an explanation for the Oedipus fable. in an effort to clarify the connection among the parable, ritual, and tragedy, in addition to its parallelism with the African observances, we should have perceived the genuine mechanism that hides in the back of these kind of cultural accretions—in specific the sacred monarchy, which may in no way be thought of the irreducible point within the research. We needs to snatch the function of the surrogate sufferer, that's, the realization of a situation of reciprocal violence, caused via unanimous accord directed or redirected opposed to a sufferer. In “Ambiguïté et renversement,” (pp. 1271–72), Jean-Pierre Vernant has introduced jointly many mythological and ritualistic information that forcefully recommend the inadequacy of definite trendy mental assumptions and the hindrances they current to a real appreciation of the “scapegoat’s” function and linked phenomena: The polarity among the king and the scapegoat (a polarity the tragedy situates on the very middle of the ﬁgure of Oedipus) was once hardly ever invented via Sophocles. it truly is ingrained within the spiritual practices and social theories of the Greeks. The poet has lent it new which means, despite the fact that, in making 123 VIOLENCE AND THE SACRED it the emblem of man’s primary ambiguity. If Sophocles selected the tyrannos-pharmakos to demonstrate what we now have referred to as the “reversal” subject matter, it used to be simply because those opposing ﬁgures seem symmetrical and to a point interchangeable. each one regards itself as someone accountable for the collective salvation of the crowd. within the works of Homer and Hesiod it's the king, an offspring of Zeus, who's liable for the fertility of the soil, the herds, and the ladies. so long as he exhibits himself irreproachable (amumôn) within the shelling out of justice, his humans prosper; but when he falters, the total group can pay the penalty for the failing of this one person. The gods then stopover at misfortune on all—limos and loimos, “famine” and “plague. ” the boys kill one another, the ladies stop to undergo little ones, the earth continues to be sterile and the ﬂocks and herds now not reproduce. while this type of divine calamity descends on a humans their ordinary recourse is to sacriﬁce their king. For if the king is chargeable for the community’s fertility and this fertility ceases, that exhibits that the ability invested in him as sovereign has by some means develop into inverted; his justice turns to crime, his integrity to corruption, and the easiest (aristos) seems changed by way of the worst (kakistos). The legends of Lycurgus, Athamas, and Oinoclus hence contain, as a way of placing the loimos to rout, the lapidation of the king, his ritual homicide, or the sacriﬁce of his son. yet there also are situations the place a member of the group is delegated to imagine the position of the unworthy king, the antisovereign. The king then unloads in this inverted photograph of himself all his unfavorable attributes. we've the real pharmakos: the king’s double, yet in opposite.