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Francis Ford Coppola's The Godfather (1972) marked a transition in American filmmaking, and its success - as a piece of paintings, as an inventive estate exploited by way of its studio, Paramount photos, as a version for aspiring filmmakers - replaced Hollywood forever.  Jon Lewis's learn of the movie appears on the importance of The Godfather in Hollywood's dramatic box-office turnaround within the Seventies and gives a severe and old dialogue of The Godfather's position in the crime and gangster movie genre.  Lewis makes a speciality of the movie as a advertisement in addition to a creative landmark of yank auteur cinema, as a singularly vital movie in Hollywood studio background and as an excellent transformed sleek style photo that right now adopts and adapts the gangster film.

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