This e-book contributes to the certainty of Dionysos, the Greek god of wine, dancing, theatre and ecstasy, by means of placing jointly 30 stories of classical students. They mix the research of particular circumstances of specific dimensions of the god in cult, fantasy, literature and iconography, with basic visions of Dionysos in antiquity and smooth occasions. basically from the combo of alternative views will we snatch the complicated character of Dionysos, and the different types of his presence in numerous cults, literary genres, and creative types, from Mycenaean occasions to overdue antiquity.
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Extra resources for Redefining Dionysos (Mythoseikonpoiesis)
Bacchylidis carmina cum fragmentis, Stuttgart/Leipzig 1992 (10e éd. ). Maehler 1997, H. : Die Lieder des Bakchylides II. Die Dithyramben und Fragmente, Leiden/ New York/Köln 1997. Nünlist 1998, R. : Die poetologische Bildersprache in der frühgriechischen Dichtung, Stuttgart/ Leipzig 1998. Pfeiﬀer 1968, R. : historical past of Classical Scholarship. From the Beginnings to the top of the Hellenistic Age, Oxford 1968. Pickard-Cambridge 1962, A. : Dithyramb, Tragedy and Comedy, Oxford 1962 (2e éd. ). Privitera 1991, G. A. : “Aspetti musicali nella storia del ditirambo arcaico e tardo-arcaico”, in: A. C. Cassio et G. Cerri (eds. ), L’inno tra rituale e letteratura nel mondo antico (AION XIII), Roma 1991, 141–153. Rutherford 2001, I. : Pindar’s Paeans. A interpreting of the Fragments with a Survey of the style, Oxford 2001. Schachter 1981, A. : Cults of Boiotia I. Acheloos to Hera, Bulletin of the Institute of Classical stories complement 38. 1, London 1981. Sourvinou-Inwood 2003, Ch. : Tragedy and Athenian faith, Lanham/Boulder/New York/Oxford 2003. Suárez de l. a. Torre 1992, E. : “Expérience orgiastique et composition poétique: le Dithyrambe II de Pindare (fr. 70B Snell-Maehler)”, Kernos five, 1992, 183–207. Van der Weiden 1991, M. J. H. : The Dithyrambs of Pindar. advent, textual content, and statement, Amsterdam 1991. Vidal-Naquet 1983, P. : Le chasseur noir. Formes de pensée et formes de société dans le monde grec, Paris 1983 (2e éd. ). Wilson 2003, P. : “The Politics of Dance: Dithyrambic Contest and Social Order in historic Greece”, in: D. J. Phillips and D. Ritchard (eds. ), activity and pageant within the historic Greek global, London 2003, 165–198. Zimmermann 1992, B. : Dithyrambos. Geschichte einer Gattung, Göttingen 1992. Miriam Valdés Guía Redeﬁning Dionysos in Athens from the Written assets: The Lenaia, Iacchos and Attic ladies 1 creation The Lenaia in Athens are the fairs of Dionysos that experience triggered so much controversy, not just relating to the recognized ‘Lenaia vases,’ but in addition as a result of presence of Iacchos – chanced on too within the Eleusinian mysteries – and the controversy relating no matter if it was once a competition of ladies, λῆναι, or extra speciﬁcally (without probably being incompatible with that) a party of Dionysos of the wine press (ληνός). In those pages we will attempt to argue the significance of girls within the pageant (the Λῆναι) relating to Dionysos, god of wine and wine construction, additionally identiﬁed with wine itself, in a party during which we think the cult to the god might initially were heavily interwoven with agricultural facets linked from the earliest occasions with the pathos of Dionysos and his ‘awakening’ or ‘arising’ from where of the useless, after his σπαραγμός. girls play an enormous half in those rites, yet during this competition – prone to historic conditions, vicissitudes and differences – it's the males which are extra seen and, no less than within the written assets, play the major position within the pageant within the civic context of the classical urban. 2 The Earliest stories: Hesiod and Heraclitus we don't have many resources for the Lenaia.