By Tim Whitmarsh
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27 what's relatively fascinating for our reasons, notwithstanding, is the acknowledgment of gratitude (kharis), which subtly recycles the language of present trade. The elephant, an emblem of brutish provincial resistance now rendered compliant by means of orderly domination, can therefore even be visible as a disguised determine for the poet, reciprocating for the present of empire. This tricks at a fancy provincial psychology inhabited by means of the poetic narrator, a psychology that combines admiration for the imperial venture with strains of residual aggression. we'd additionally see the poem, with its narrative of ordered warfare substituting for brutish militarism, as a metageneric remark on epigram as translated epic. during this mild, the eunomiē of the ultimate line may perhaps suggest, in addition to “law and order,” “the artwork of excellent poetry” (nomos additionally ability “tune” and, in later Greek, “poetic composition”). 28 If Philip’s epigram is certainly devoted to an 25. Philip four = Anth. friend. nine. 285. Mart. , De spect. 17 parallels the topic of the elephant’s submission to Caesar; see Weinreich 1928, 74–85, at the pius elephas subject. 26. Respectively, Cichorius 1922, 345; Gow and web page 1968, 2. 332. 27. Wallace-Hadrill 1981 rightly cautions opposed to any speak of “canons” of virtues, at the very least as early because the Augustan interval. See p. 313 at the exact organization among Tiberius and iustitia. 28. LSJ, s. v. “eunomiē” II. Strikingly related issues recur in Philip 2 = Anth. friend. 6. 236: “The gratitude [kharis] for Caesar’s legislation and order [eunomiēs] is great: he has taught the enemy’s fingers to nurture the end result of peace [eirēnēs] as an alternative. ” 146 Poetry and Prose aesthetic of eunomiē, despite the fact that, that “order” (both poetic and political) continues to be predicated at the suppression of a sickness that's implicitly stated. The resonance among imperial conquest of the area and the poetic articulation of that conquest is frequent within the epigrams of this period. Rome is the “mistress of all of the cosmos” (Bassus 6. 6 = Anth. buddy. nine. 236. 6); Caesar is “great pleasure to the western and jap limits [of the world]” (Thallus 2. 1 = Anth. good friend. 6. 235. 1); the empire is “bounded through the sea on each side” (Antipater forty seven. five = Anth. friend. nine. 297. 5); imperial commanders have subdued far-off peoples akin to Parthians (ibid. ), Celts (Crinagoras 26 = Anth. buddy. nine. 283), Germans and Armenians (Crinagoras 28 = Anth. Pl. 61), and the population of the Pyrenees (Crinagoras 29 = Anth. good friend. nine. 419); Germans supply no hazard (Crinagoras 27 = Anth. friend. nine. 291). this feeling of balanced keep watch over, of imperial equipoise among East and West, is replicated within the epigrammatic shape itself. fairly major during this connection is Crinagoras 28: Risings and settings are the measures of the cosmos, and Nero’s deeds too have undergone either barriers of the earth. The emerging sunlight observed Armenia’s defeat below his palms, and the descending sunlight Germany’s. enable his twofold victory in conflict be sung; the Araxes is aware of it And the Rhine, either inebriated by means of peoples now enslaved. Crinagoras 28 = Anth. Pl. sixty one right here we now have political house and cosmic house as coterminous, marked by means of significant army defeats: the nearest an identical we will be able to get (given historic conceptions of meteorology) to the belief of an empire on which the sunlight by no means units.