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By Rossana Bossaglia, Rossella Siligato, Filiberto Menna, Luciano Caramel, Marisa Vescovo

Summary paintings makes use of a visible language of shape, colour and line to create a composition which can exist with a level of independence from visible references on the planet. Western artwork were, from the Renaissance as much as the center of the nineteenth century, underpinned by way of the common sense of viewpoint and an try to reproduce an phantasm of obvious fact. the humanities of cultures except the ecu had turn into obtainable and confirmed other ways of describing visible event to the artist. by means of the top of the nineteenth century many artists felt a necessity to create a brand new type of paintings which might surround the elemental alterations happening in know-how, technological know-how and philosophy. The assets from which person artists drew their theoretical arguments have been different, and mirrored the social and highbrow preoccupations in all components of Western tradition at the moment.

Sommario:

Le radici simboliste
Le avanguardie storiche
L'astrazione analitica
Dopo Mondrian
Dopo il 1945

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