By Susie Hodge
From the influential craftsmen of the excessive renaissance to the Dutch masters, and from the rococo and neoclassical hobbies of the 18th century to romanticism, modernism and modern artwork, the lives of the good artists are as diversified and multifaceted because the works of artistic genius they produced.
The nice paintings Guide introduces readers to a hundred of the world's most vital artists, from the thirteenth century to the current. Works via artists comparable to Caravaggio, Vermeer, van Gogh and Warhol are prepared chronologically and set of their old context through Susie Hodge's authoritative narrative.
Succinct and insightful artist profiles are followed via top quality reproductions of the individual's most vital artworks. together with a word list of keywords and a entire record of crucial paintings associations from around the globe, this concise and readable advisor is a pleasure for college kids of artwork or a person desirous to understand extra approximately nice artistic endeavors.
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Additional info for Art: Everything You Need to Know About the Greatest Artists and Their Work
Most important are his altarpieces of the eagerness of Christ and his three-quarter graphics, which created a very convincing 3-dimensional visual appeal. even though he lived in Brussels in Belgium for many of his existence, van der Weyden traveled round Europe to accomplish many commissions. He produced work for Chancellor Rolin of Burgundy in France, for the robust Medici family members in Florence and for the d’Este kin in Ferrara, Italy. whereas in Italy, he's believed to have taught Italian artists to color with oils, as this used to be a medium used usually on the time by means of Flemish painters, yet infrequently via Italians. He additionally turns out to were encouraged by means of the paintings he observed in Italy, particularly the paintings of Gentile da Fabriano (c. 1370–1427) and Fra Angelico. In growing strange compositions and in depicting emotions and sensations, van der Weyden was once tremendously imaginitive and knowledgeable. certainly one of his ideas was once the rendering of immaculate end and aspect in figures and items, which he set opposed to gold backgrounds, nearly as though his figures are in reduction. through pushing figures into the foreground during this manner, he emphasised them, giving the influence that the non secular occasion used to be truly occurring and in isolation inside of a small house. via his huge and busy workshop, which exported copies of his work to Italy, France and Spain, his impression prolonged throughout Europe. Key Works St. Luke Drawing the Virgin c. 1435–40, THE MUSEUM of excellent ARTS, BOSTON, MA, US Miraflores Altarpiece c. 1440, GEMÄLDEGALERIE, BERLIN, GERMANY Madonna in purple c. 1440, MUSEO DEL PRADO, MADRID, SPAIN Crucifixion Triptych c. 1445, KUNSTHISTORISCHES MUSEUM, VIENNA, AUSTRIA St. Columba Altarpiece c. 1455, ALTE PINAKOTHEK, MUNICH, GERMANY MASACCIO * * * 1401–1428 • RENAISSANCE * * * The Holy Trinity with the Virgin, St. John and Donors 1426–8 FRESCO 667 × 317 CM (263 × a hundred twenty five IN) SANTA MARIA NOVELLA, FLORENCE, ITALY This demonstrates Masaccio’s convinced dealing with of anatomy, mild and house, and his new method of linear standpoint. while he painted it, barrel-vault ceilings had now not been developed on the grounds that Roman instances. God helps Jesus at the move, Mary and St. John stand on either side and the 2 buyers realize like spectators. “Masaccio,” a nickname that means “clumsy Tom” that was once given to him whilst he joined a Florentine craft guild as a toddler, is frequently known as the 1st Renaissance grasp. in the course of his tragically brief lifestyles, he turned popular for developing dramatic results together with his innovative use of viewpoint and his convinced dealing with of anatomy. Maso di Ser Giovanni di Mone Cassai, who grew to become referred to as Masaccio, was once the 1st painter to exploit viewpoint systematically and successfully which, regardless of his short occupation, profoundly motivated 14th-century portray. little or no is understood approximately his early education in Florence, yet in addition to exact linear viewpoint, he used to be the 1st painter to exploit the consequences of sunshine and tone strongly to make items seem extra stable.