Prophetic symbolism is likely one of the key subject matters of this quantity. On Isaiah, John F.A. Sawyer reveals radical photos of Yahweh, Kenneth T. Aitken appears on the metamorphosis of the foremost motif of listening to, seeing and figuring out, Michael L. Barre examines lions and birds in 31.4-5, and Marvin A. Sweeney re-examines vmes(tm)s in 8.6. The imagery of Ezekiel is explored via Leslie C. Allen (the 'Death Valley' imaginative and prescient) and M.G. Swanepoel (Ezekiel sixteen and feminine photos of Israel), and Alan Cooper and Athalya Brenner write at the publication of Jonah. essays of extra common scope care for the hunt for team spirit in Isaiah (David Carr) and the redactional form of Nahum 1 (James Nogalski). an enticing and stimulating quantity which displays the liveliness of present learn at the prophetic literature.
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Extra info for Among the Prophets: Language, Image and Structure in the Prophetic Writings (The Library of Hebrew Bible/Old Testament Studies)
I n tha t case , i t may be categorized as a parody o f its normal type . i think that this interpretation clarifie s a few o f th e poem's centra l function s an d suits in with the tenor of the prose sections . The imagery o f the poem i s tremendous extravagant . Th e water meta phors finall y advert d up t o a n inflated hyperbole , hand over e got rid of fro m th e poem's significant factor (separatio n fro m pass d an d the cultic shrine). An d but, they ultimately quantity to an insufficient aping of Jonah's actua l scenario. Sheol, observed in time period s of a monster, is extra horrifi c tha n the male/female/male fis h o f the prose narrative , a primaeval sea-dragon . The abundance and focus of either metaphors represent a veritable floo d (Mile s 1975 ) o f primordia l photographs . Suc h a focus d cluster (not e what number psalms have been indexed for the aim o f comparability with this one! ) exceeds traditional poetic conference, or naive accepted correspondence. Th e conference s are al l there , bu t ar e overdon e t o the poin t o f absurdity . consequently, th e resul t i s parody— a consciou s (!? ) imitation o f a literar y genr e whic h conveys , throug h exaggeration , comedy, an d humour , feedback o f th e sourc e genr e an d th e accepte d literary an d ideological norm s that tell it. Miles (1975 : 174-75 ) make s a n additiona l soun d aspect. Wate r an d abyss imager y i s more often than not simply that—imagery . I t refers t o state of affairs s by means of metaphorizin g them int o whatever else, int o a few equivalents . I n Jonah's case , besides the fact that , th e metaphors ar e no metaphors. Rea d in the framing prose, they confer with the (extralinguistic) 'rea l thing'. Jonah is i n th e monster' s abdominal ; turbulent wate r i s al l over hello s head . Unlik e the imager y i n simila r psalms , th e metaphor s i n Jonah' s praye r ar e rendered invali d simply because , withi n th e tale , the y ceas e t o functio n a s metaphors. Factualit y and photograph cancel each one othe r out. the outcome i s a daft parody o f the genuine believer's criticism: wil l an analogous meta phors nonetheless be significant whe n the metaphorized situatio n materializes ? Returning t o th e fram e narrativ e tha t immediatel y persist with s th e prayer, i t is worthy noting that God does no t solution Jonah's praye r b y 190 between th e Prophets be aware of mouth. The silenc e in the direction of Jonah is mainly conspicuous, due to the fact that God communicates with the fish (a male fish once again; the Jewish exegetes mad e muc h of the frequen t switch s o f th e fish' s gender). I s this now not ludicrous? Jonah has spoken s o eloquently, delivere d a speech replete wit h erudite knowledg e o f conventionalized prayer , ye t that's not deemed invaluable of an instantaneous divin e answer! In obedienc e t o th e divin e note, th e fis h 'vomits ' Jona h ont o dr y land. 'Vomit ' is a robust observe, evocative, derisivel y imaginativ e i n its reference t o th e digestiv e tract . Ca n w e reall y clai m tha t w e price l sympathy in the direction of the unlucky messenger Jona h at this juncture, or will we snigger at him?